An additional experimental resource inclusive of all currently listed projects and keywords that can be dragged around the page to form new proximities in the data/base. This space is under construction and in the process of being made accessible.

keywords: care, data, diagnosis, meditation, observation, defamiliarization, appropriation, accessibility, visualization, process, method, disability, catharsis, crip, chronic, ill, sick, grief, trauma, glitch, mediation, collaboration, experimentation, chance, generativity, transparency, opacity, neuroaesthetics, annotation, citation, (mis)translation, (il)legibility, documentary, ritual, practice, aging, temporarily-abled, iterability, metadata, performative, apophatic-aesthetic, qualitative, quantitative
Sophie Auger. Afterimage. 2024. Sublimation print on aluminum. 5x12 inches.
Christine Sun Kim. Degrees of Deaf Rage. 2018. Charcoal and oil pastel on paper.
Yo-Yo Lin. Resilience Journal. 2019. Hardbound book. 5.5x8.5 inches.
Jill O'Bryan. Tonglen Breath Drawings. 2018. Graphite, oil pastel on rice paper.  Sizes vary.
On Kawara. Date Paintings/Today series. 1966-2013. Acrylic on cavas. Various sizes.
Lenka Clayton. How We Thought it Would be and How it Was. 2025. Paperback book. 9.5 x 11.5 inches.
Sharona Franklin. Drosophila Clock X. 2021. Silver, brass, aluminum, mixed metal, expired pharmaceuticals, wood, foraged bone, antler, photographs, enamel. 19.75×19.75 inches.
Ori Gersht. White Noise. 1999-00. Photographs.
John F. Simon, Jr. iClock. 1998-present. Daily drawings, website.
Jason Lazarus. Used webcam covers. 2019-present. Live archive, archival pigment print. 40x65 inches.
Nikki Lindt. The Underground Sound Project. 2018-ongoing. Sound installation.
KYRIANNA. Portraits. 2018-ongoing. Mixed media on paper and canvas. Various sizes.
Alvin Lucier. I Am Sitting in a Room. 1969. Sound art, performance.
Bahareh Khoshooee. Grief Meditations: Thoughts and Prayers from the Glowing Rectangle. 2024. Workshops, 3D-printed sculptures, animation, installation. 
Johanna Hedva. The Clock Is Always Wrong. 2022. Kinetic sculptural objects, textile prints, found objects, drawings, text, audio.
Leslie Roberts. Datebook project. 2020. Small daily list drawings. ink, colored pencil, marker on graph paper. 3x4 inches.
Dominic Quagliozzi. The Fragility Drawings. 2022. Graphite and white thread on clinic table tissue paper. 21x25 inches per drawing.
Finnegan Shannon. Disabled Artist Autoresponder Poem. 2024. Video comprised of collaged away messages. 
Kunié Suguira. Racks. 1994. Gelatin-silver prints mounted on Plexiglas, metal rack.
Sarah Davis. Pill Cup. 2019-21. Silver, bronze. 6x7 cm each.
Heather Dewey-Hagborg, Phillip Andrew Lewis. Spirit Molecule II. 2019. Genetically modified moss.
Lauryn Youden. Dead Paper. 2022. Performative reading, ritual. paper, invisible ink, fire.
Sara J. Winston. Infusion. 2015-ongoing. Digital photographs.
Felix Gonzalez-Torres. (Portrait of Ross in L.A.). 1991. Candies in variously colored wrappers, endless supply.
Srinivas Mangipudi, Srinivas Aditya Mopidevi, Curatorial assistance, Diya Shah. Climate Recipes. 2023-present. Book, installations. Size variable.
Michael Mandiberg. Live Study. 2019-24. Performance. Paintings. Video.
Deborah Padfield. Perceptions of Pain. 2001-06. Composite photographs. Various sizes.
Rosalie Yu. A Ritual of Habits. 2018. 3D Models, interactive video.
Catalina Tuca. The Sensitive Project. 2020-23. Participatory archive. 3D prints, animation, interview.
Ryan Woodring. Today and Possibly Tomorrow. 2022. 3D-printed candies. 
Smita Sen. Feelings, Fossilized. 2022-23. Drawings, sculptures.
Park McArthur. Carried and Held. 2012-ongoing. Museum wall label.
Carolyn Lazard. In Sickness and Study. 2015-ongoing. Digital photographs.
TJ Shin. The Vegetarian. 2022. Installation.
Yuji Agematsu. zip: 01.01.20 . . . 12.31.20. 2020. Mixed media in cigarette pack cellophane wrappers on wood backed acrylic shelf, latex paint.
Sondra Perry. IT'S IN THE GAME '17 or Mirror Gag for Vitrine and Projection. 2017. Digital video.
Malcolm Peacock. Five of them were hers and she carved shelters with windows into the backs of their skulls. 2025. Installation. Braided synthetic hair, prints, audio. 8x8 ft.